Dear Readers,
Hay Rides
With the air clearing and restrictions lifting, it has been time to make hay while the su
n shines. After the dull summer days, the skies above the county of Hertfordshire have turned, sporadically, to blue and gold. Whenever the weather was apt for photoshoots of charming English villages redolent of Amanda Cadabra’s beloved Sunken Madley, with camera batteries charged and memory cards with plenty of space, I ventured forth.
It has been quite a journey and one that I shall share with you. However, this week I wanted to tell you of my most recent outing to a once-in-a-lifetime experience in a medieval church. It sits upon a hilltop of what was, long ago, the ancient county of Saxon Middlesex, once home to the Amanda’s village before it was subsumed by Hertfordshire.
A Discovery
This was founded well over a thousand years ago, before that most famous date in English history: 1066 marking the Norman Conquest. On the plus side, the Normans brought with them some novel notions on cooking, castles and cathedrals. They were also into building churches. Lots and lots of churches. Many of our existing ecclesiastical buildings owe their founding to this medieval period. Including … wait for it … the fictional St Ursula-without-Barnet of Sunken Madley fame (based on St Mary the Virgin, Monken Hadley), and, my latest discovery, St John the Baptist, parish church of Pinner.
A One-Off
It was quite by accident that I found that St John’s was about to celebrate the 700th year since its founding that very weekend. It was to be marked with a resplendent Flower Festival, the like of which had never been seen by that historic structure. Next time I will tell you more of the strange and wonderful chain of events that led me there.
The church and it’s long history reminded me so much of our dear (even if imaginary) St Ursula of Sunken Madley that it was even that I simply had to attend.
I was moved by the warmth of the welcome from the busy flower arrangers there, and amazed by the sheer beauty and creativity of the designs expressing thanks for nature, the arts and other aspects of life. Some of the ladies were from St John, others from neighbouring parishes; flower clubs and a local florist were taking part. They kindly allowed me to take photographs both during preparations and on the day. These images, Chartreuse has compiled into a video to commemorate this extraordinary and dazzling. Here it is for your delight:
Free Book
Meanwhile, Amanda Cadabra and The Hidey-Hole Truth have been elected to be this month’s Giveaway by the Feathered Quill website. This is the home of the Feathered Quill Book Awards (Amanda Cadabra and The Strange Case of Lucy Penlowr had been submitted for the Adult Fiction Award for Mystery. I’ll hear more next year.) So if you know of someone who enjoys a free cozy mystery, then here is the link for a spin of the wheel for just the addition of your email address. (This is deleted at the end of the offer.)
The Interview
Earlier this month, I received news from journalist Katherine Russell that she had included an interview with me in an article about the experience of women in the publishing industry. I have to say that as an indie author, it has been a happy ride for me. However, Katherine certainly had some interesting questions, and, if you’d like to read the article, you can also hear from the four other authors who responded so thoughtfully.
Book 7’s Progress
This is all very well, I hear you say, but what about the next sequel in the Amanda Cadabra series? I have not been idle on that front, I promise you, and can supply supporting photographic evidence for your inspection, as you shall see.
Book 7 is probably the most intricate plot to date and came to me in odd excerpts, in no particular chronological order, and usually in the hours normally associated with rest. This meant a succession of scribbled notes, dialogue and narrative passages in my journal that had to be typed up. Until I found that reading my notes written bleary-eyed was more of a challenge than actually getting up and beavering away at the computer. After all seemed ready, each and every Word document had to be compiled into a single file. That file had to be printed out. All to the tune of … 50,000 words on almost 250 pages of A4 paper.
The Magic Semi-Circle
Next came the task of applying myself with marker pen, scissors and paperclips, to arrange the pages, passages, and conversations. I set them out on the floor in a semi-circle around me, into something approaching the order in which they appear in the book. This is a process that takes many hours. And this is what it looks like:
Coming
I have now completed the next stage but news of that next time. More to come: photos and a strange and wonderful journey on the trail of Amanda’s favourite fruit and more Sunken Madley inspiration. Until then, dear readers,
Happy September,
Holly
PS If you want to start the series now:
Available on Amazon
Paperback, Kindle
and Large Print
Dear Readers,
As promised last time, here is the launch of something new for Amanda’s world, that I think you may enjoy playing with as much I did in the making of it.
The Idea
Custom Google Maps for books? I was intrigued by the recommendation in a newsletter from my favourite promoters, Books Go Social. It was probably a lon
g and complicated procedure, I considered, but was too intrigued to let it drop entirely. Then, during the watches of the night, the impulse came. It was Time.
Following the excellent instructions by Jennifer S Alderson, I crafted away, adding pins, first to the obvious places, like Amanda’s village of Sunken Madley, ‘lay 13 miles to the north of the Houses of Parliament, and three miles south of the border of Hertfordshire., and Parhayle, home to Detective Inspector Thomas Trelawney. Then, in a flurry of excitement, I set about adding others.
In the Real World?
But wait, how do you put fictional towns and villages on a real life Google Map? Well, if they’re based on real life places then you can. It so happens that Sunken Madley is inspired by Monken Hadley, and Parhayle by the fishing port of Looe in Cornwall. Chief Inspector Michael Hogarth lives in Mornan Bay, in a similar location to Talland on the coast near Looe. However, Romping-in-the-Heye and Upper Muttring are simply in the vicinity of Sunken Madley rather than being pinpointable hamlets, so they had to take a backseat for this particular outing.
Nevertheless, for the most part, other locations from Amanda’s world do, in fact, exist in ours.
What You Get
So having added the pins, the fun really began. You’ll see that as a result of joyful finding, editing and linking, each pin has a note about it. Most also have one or two photographs, and nearly all have an excerpt from the relevant book in the series as well as a note about its relevance to the Amanda Cadabra series. There’s even a very small hint from one pin, of the next book to come!
There is just one place that has not been pinpointed because I thought it would be too much of a potential spoiler. I won’t say which book this refers to, but I think if you’ve read it, you’ll know.
How To Play
So here it is, with 4o pins, unveiled for your entertainment. I do hope that you enjoy playing with it as much as I had creating it. You can set it to satellite view, daytime, nighttime, street view. Visit the locations, select streetview to walk around in the shoes of the characters. Click on the pin, and a little window will come up for you to see the photo and read the excerpt. If there’s more than one photo, you should see an arrow or a number to click on, so you can view the next image.
If, by chance, you detect a place that’s missing and you deem worthy of its rightful dot, I’d be thrilled if you told me. Any suggestions for pins, images, or anything else would be enthusiastically received. It is still a work in progress and I hope to add more pins, photos and even video over time.
Ready to explore? You can either open a new full-page Google map by clicking: Full Size, use the map below or the one in the site map section here
.
Book 7, Free-to-read Book 6, and What Next?
So, I hear you ask, this is all very well, but where is the next book in the series? I have been deep in research, typing up notes and conjuring to new scenes.
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Une étude prospective transversale a été menée.
If you, or your cozy mystery fan friends have yet to read book 6 in the series, Amanda Cadabra and The Strange Case of Lucy Penlowr, this month by signing up to Netgalley, you can download it free of charge in return for a review. Although this is mainly a site for publishers, librarians, booksellers and bloggers, you can join as a consumer reviewer, as many enthusiastic readers do. From time to time books for the Amanda Cadabra series have appeared on Netgalley. Often authors and publishers post new work before publication there so it can be a treasure trove of to-be-discovered literary gems.
I have also, as is my wont whenever possible, gone in search of more picturesque villages to delight your eyes and inspire my imagination of dear Sunken Madley. I hope to bring you a taste of that next time.
Happy travels,
Holly
PS If you want to start the series now:
Available on Amazon
Paperback, Kindle
and Large Print
Dear Readers,
After a year of considering, researching, planning, collaborating and doing, I am delighted to bring you the first in the Amanda Cadabra series in large print. Reactions are likely to range from ‘At last!’ and ‘Great!’ to ‘Er … why?’
All Ages
Recent research has revealed the appeal of large print to be much wider than you might expect. It tempts reluctant readers,
especially school-age and college students. It suits those who wear glasses who, with a slight hike in font size, can read without them, as well as making reading more comfortable for those for whom lenses are a must.
According to allaboutvision.com, ‘About 75% of adults [in the USA] use some sort of vision correction’ whether glasses, contact lenses or both. Children of all ages may need glasses for varying lengths of time. Believe it or not, some people even elect to wear fake glasses as a fashion accessory or because they feel more intelligent in them. I did read it’s supposed to make you look 3 to 5 years younger too!
But I digress. Large print is where it’s at, and as the majority of my lovely readers do find glasses helpful, I have been planning to provide a more visually pleasurable experience.
Size Matters or What’s the Point?
First, something about the journey and how we arrived at the new edition. There is no definitive sheet with a how-to and
what-to for creating your own large print book. Different writers use different strategies. So I began with the basics: font (lettering style) and letter size. Of course, different letter styles are different sizes, as you can see from this poster, but let’s look at the standard fonts you see in books, newspapers and on the internet.
A standard edition book usually has a font 12 – 14 points. A point is a 72th of an inch so in real terms, just for comparison, here is a chart using the famous Times New Roman font.
Large print is defined by the American Council for the Blind as 18 – 20 pt; the RNIB here in the UK has it at 16 – 18, with very large print as 20. Generally, the consensus among authors is anything over 16pt.
How to Choose?
In the interests of keeping the size of the book manageable, I decided to follow the lead set by Vellum. This is the top of the range app used for formatting. Punch in large print and you get: 16 point font and a what’s called the trim size of the book: 6.14 × 9.21 inches. The standard sized Amanda Cadabra paperback is 5.25 x 8. So the new large print edition is just over an inch taller, and less than an inch wider. It’s also only very slightly thicker. There are also plenty of standard print size books that are this size, so you probably already have a shelf where it will fit nicely.
In case you’re curious, the point system stems from the days of printing using blocks of metal. The point was the smallest unit of measurement that was — sort of — agreed upon. It was used to measure the size of the actual block on which the letter sat. The best explanation I have come across is here: https://www.quora.com/How-is-font-size-measured.
If you are an author and would like to know the full specs used for the large print edition of Amanda Cadabra and The Hidey-Hole Truth, you can find them in a special post written just for you (and the interested reader too, of course).
The Journey
At first, I thought I could DIY it. Then I discovered that there’s more to large print than just bumping up the size of the font. I took the path as far as frustration allowed until I knew it was time to turn it over to a professional. The search began. It led me, happily, to the virtual door of Graphic Production Artist, Daria Lacy (on Upwork), over on the west coast of the USA. Although living 5000 miles apart, we hit it off instantly.
Daria reformatted the standard paperback to make it look more professional, then created the large print version. She patiently tutored me through any cleaning up I needed to do, and in the procedure for creating and using her new versions as templates for Book 2, Amanda Cadabra and The Cellar of Secrets. Although involving a bit of a learning curve it was transforming into a joyful experience for me, and having Daria there as a safety net means I can confidently go on to create large print versions of the rest of the series bit by bit.
The Art of Large Print
Finally, there was the cover. Daniel, our wonderful illustrator, was already creating a new one for Book 1, but this was the first larger size cover he’d made. It took a few goes with fine-tuning and proof copies for checking, but at last, the spine lettering was dead centre and the title likewise. The large print version passed Amazon KDP paperback publishing quality control, and now, as I write this, I have the very first printed copy on my desk, all bright and shiny and ready for you, my esteemed readers.
Decisions, Decisions
So, you may be wondering, when are the next 5 books going to be available in large print? There was a choice of two paths:
either to wait while the covers for Books 2 and 3 were being redesigned Daniel or to bring out large print versions with the existing covers. Soon Daniel will be going to work on the cover for the next book in the series, Amanda Cadabra 7. So the new Book 2 cover will have to wait for at least a month. And that would be just for Book 2.
In the end, it was some words from our editor Kim that crystalised things for me. It seemed logical that if readers who prefer large print enjoyed Book 1, they wouldn’t mind that much what the cover of the next large print book in the series would look like. Nevertheless, we still want to bring you the best and brightest jackets we can, so new coats for Books 2 and 3 are in the pipeline.
Meanwhile, here, for your entertainment, is the new version of the Book 1 trailer featuring the new covers and the new large print:
So … When?
Yes, let’s cut to the chase. I’m now formatting between writing Book 7 and launching the first book in large print, so I can’t give you a date but will keep you in the loop here and on Facebook. The main thing is that as many readers as possible will have the opportunity to try the series on the for size with Amanda Cadabra and The Hidey-Hole Truth.
Next time, I’ll be launching something new for Amanda’s world, that you might enjoy playing with. It was immense fun to create. I think you’ll like it.
Happy Midsummer!
Holly
PS If you want to start the series now:
Available on Amazon
Paperback, Kindle
and Large Print
Dear Fellow Authors and Interested Readers,
Having decided to created large print editions of the Amanda Cadabra series, I began my research. No once source yielded a complete how-to. In my hunt for an entire formula, I realised that I would have to create my own.
The Numbers
Everything that I eventually needed is included here below. I arrived at these through reading information kindly shared by various authors, and through consultation with my invaluable Graphic Production Artist Daria Lacy, who is an absolute gem. You can find Daria on Upwork if you need professional advice.
Following Vellum, (the top end app for formatting books) the trim size is 9.14 x 6.21 inches
Font: Adobe Garamond Pro 16pt
Leading (space between lines) 19.2pt
Margins
Top: 0.6 inches
This allows space for the running header (image) So if you don’t have one then this margin can be smaller
Bottom: 0.6 inches Leaving space for page numbers
Right (outside) : 0.4 inches
Left (inside): 0.7 inches
Gutter: 0.1667 inch (the space allowed for binding the pages together)
All words are in large print including Opening Quotation, Table of Contents, map, glossary.
Just Be Aware
If you are publishing through Amazon Kindle Direct Publishing, then for 9.14 x 6.21 inches they only do black print on a white background for expanded distribution, rather than a cream one. (Expanded distribution means making the book available for retailers and libraries to buy. ) My standard print books are black print on cream paper for ease of reading. However, for the extra space over 9 x 6, I chose the 9.14 x 6.21 option for large print to reduce the number of pages.
How Much Extra?
Standard print 8 x 5.25 inches: Number of pages:292
Large print 9.14 x 6.21 inches: Number of pages:355
Extra 63 pages. 21.5% increase.
As you can see it’s not that much of an increase if you opt for a slightly larger trim size.
Do feel free to contact me if you’d like any extra information that I might be able to give you.
Wishing you all the best with your large print project,
Holly
PS If you want to start the series now:
Available on Amazon
Paperback, Kindle
and Large Print
Dear Readers,
Today sees the unveiling of the new cover, Amanda Cadabra and The Hidey-Hole Truth, first in the (to date) 6-book British humorous cozy paranormal mystery series. The question is,
Why the change?
The series is about to enter a new era. But more that later. As the first book is most likely the first in the series that new readers will see, it needed something special. Rather than re-moulding the scene on the previous cover, I told the story of the book to our illustrator Daniel Becerril Ureña, and left it up to him to let his imagination form his own creative ideas.
Daniel’s Visions
Out of 6 sketches that Daniel supplied, this was the scene that we both thought was the strongest.
Daniel has conjured a combination of modern era, magical whimsy and the golden age of the cozy mystery: the 1930s. Research time runs into many hours, following my nose down narrow alleys to obscure websites and broad streets of mainstream sources like Wikipedia. To supply Daniel with reference images, I scoured pages of 1930s covers. The colour palette of the cover echoes that period, even Amanda’s 
dress neckline is out of a vintage illustration on an authentic dress patterns packet.
Period Drama
The setting is a room in a Tudor house, Sunken Madley Manor. The wardrobe door and the door are from period furniture, and the edge of the tapestry on the right of the cover is drawn from an example using Tudor pictorial and decorative traditions. The Holland cover (sheet for protecting furniture) over the wardrobe adds a ghostly feel.
The light coming between the partly open curtains, suggests we are peeking through them, getting a look at a secret scene, as privileged viewers.
The Emerging Final Version
As Daniel adds each new layer, new aspects and details become apparent that could benefit from tweaking. Daniel patiently applies these and sends back iteration after iteration until it is perfect. Finally, it goes to Tim, my mentor who acts as design consultant and to Kim, our editor.
Then, it’s ready for the partial reveal. Next, it is loaded on Amazon, ready to pass their quality control and be published. At the same time, the full cover reveal is announced here and on Facebook. Usually Twitter and Instagram get a look-in too.
Revelations
This is a process that can take from weeks to months. From seed to seedling, to sapling to mature tree. It’s organic and well as procedural and takes an artist with an intuitive understanding of the spirit of the series as well as technical expertise. It also takes a good personality fit. Working with Daniel is immensely enjoyable. There’s a high of excitement every time he sends a first sketch or a new iteration. I love seeing his ingenuity in creating scenes and details I would never have imagined. Being able to work so closely with ‘a creative’ is one of the great unexpected perks of being an independent author.
What Else is New?
The map of Book 1, Sunken Madley in Amanda Cadabra and The Hidey-Hole Truth has been updated with the smartened up versions of some of the most important buildings and locations in the village.
Tomorrow Book 1, in its smart new outfit, is being entered for an award. Later this week, I look forward to typing up more midnight notes (still coming) for the new sequel.
Back soon with more news.
Wishing you a happy conclusion to spring,
Holly
Dear Readers,
The Twisting Current
Cornish pasties, Jamaica Inn, smugglers, and Cornish clotted cream teas. What do they all have in common? Yes, they’re all things for which Cornwall is internationally famous, and they appear in the Amanda Cadabra series. However, it is the last item in the list that is probably the most popular and today we learn its secrets.
Michael and Susan Plant are the creative geniuses behind the café that inspired our heroine’s favourite port of call in Amanda Cadabra and The Strange Case of Lucy Penlowr: The Twisting Current, on the edge of mysterious Bodmin Moor. There Amanda finds her dream treat, astonishes Inspector Trelawney with her capacity for seconds, and can’t resist the opportunity to go back for more.
The Search
As readers will know, Amanda is dairy free on account of her asthma. Consequently, when writing the book, I set out on 
a hunt for a real life café that would serve a dairy-free, proper Cornish cream tea. Casting the net far and wide through Cornwall, I discovered a rare treasure: The Twisted Currant in Porthleven in the far south west, just half an hour from Land’s End, the most westerly point of mainland Cornwall and England. There they make and serve a luscious array of cakes and mouthwatering savouries with choices for dairy-free, gluten-free and vegan visitors.
Michael kindly granted me an opportunity to interview him about the story behind the café and its acclaimed cream teas.
Please could you tell me, what is your and Susan’s connection to Cornwall?
We are not natural Cornish. Susan came down from London with her parents and I was posted to RNAS Culdrose whilst in the Navy. We have both been in Cornwall since 1982. I think the secret to living in Cornwall is to accept the Cornish ways and to go with the flow. I now consider crossing the river Tamar near Plymouth as almost going abroad.
What inspired you to open the café? Do you both come from a restaurant background?
We started a cafe as Susan baked professionally and I wanted to start a small business. We thought that our personalities matched a tea room environment.
The Twisted Currant was furbished only last year, with golden yellow, cream fresh white and warm
wood. It looks so appealing that I ad to ask: How did you decide how to present/decorate the café?
We wanted the tea room to be bright and fresh, but homely and a relaxed ambiance. One of our daughters designed the layout and I built the benches and counter.
Clearly Michael and Susan are a talented couple. For the benefit of international readers who may not be familiar with Amanda Cadabra’s favourite Cornish delicacy, I asked Michael,
Could you explain, please, for my international readers, what a cream tea is, what clotted cream is?
A cream tea consists of either fruit (sultanas) or plain scones with clotted cream, strawberry jam and a pot of tea. Scones are made with flour, butter and milk, made into a dough, rolled about an inch thick and cut with a round fluted cutter. They are baked until crisp on the outside.
There is some debate as to the order of the toppings, I gather.
In Cornwall the jam is applied to the scone and then the cream. In the neighbouring county of Devon the cream is applied first, then the jam. Local Cornish are passionate about the correct way to spread the jam and cream and gently chide anyone who gets it wrong.
Where did the inspiration come from to create a dairy-free cream tea?
For non dairy scones we serve coconut cream instead of cream and use oat milk in place of milk when making the
scones. We do a lot of gluten free, nut free and vegan scones as well. Susan started making gluten free scones for one of our daughters friends who was celiac. We now try to have a dairy, gluten free or vegan version of everything on our menu so friends and family can all order something from our menu regardless of diet or lifestyle choices.
Susan is the inventor of all our cakes and scones. She invented the chocolate cream tea consisting of chocolate chip scones, chocolate spread and clotted cream. Reactions vary, with some customers stating they are to die for, and more traditional minded customers being scandalised with such decadancy.
What other Cornish specialties can we find at your café?
We try to do as much Cornish as possible and also serve saffron tea cakes and “Thunder and lightning” consisting of slices of white bread lathered with clotted cream and golden syrup.
Where do most of your non-local visitors to the café come from (in a normal year.)
Our customers range from locals to tourists from all over the UK and abroad. Many locals stay away during the busy tourist season but come out in winter when they know they can get a seat.
On Google Maps, I can see that Fore Street where the café is, is also named ‘Stret A-rag’. Do you use
any Cornish words in the menu or around the café at all?
The Cornish language is not used in everyday speech any more but some vestiges survive. For instance, in the neighbouring village of Helston they have a dance every year around the town when “Hellys bys vycken” (Helston for ever) is shouted by the participants. The Cornish language is very similar to Breton in Brittany, France, where it is spoken more commonly.
Michael’s words made me feel especially happy to be part of the Cornish language revival, together with thousands around the UK and abroad who are now learning and speaking with one another on a regular basis. Hopefully one day it will again be used in everyday speech. Meanwhile, I asked Michael, the next question:
I read that Porthleven lies within the Cornwall Area of Outstanding Natural Beauty with breathtaking views from the Porthleven Cliffs and the mysterious Giant’s Rock. But what about Porthleven makes it special to both of you?
Porthleven is special to many locals and visitors alike because it is an unspoilt fishing village which despite the tourist 
influx has a vibrant community spirit. They do things ‘dreckly’ (like the Spanish manana but slower) in Porthleven so stress levels are lower and life generally is more relaxed.
You’re right by the harbour with green hills and fields to the north. Looks like a Victorian building. Are you able to tell me anything about it?
The Twisted Currant shares a Victorian building with Star Gazey, a gift shop and holiday apartments above. It was originally a grocery store with owners accommodation above but has seen many different businesses over the years since.
Is this the first time The Twisted Currant has made an appearance in a novel?
As far as I know it is the first time the Twisted Currant has made an appearance in a novel.
I was excited to see the word ‘Rodda’s’ on two to the little dishes in two of the photos. It’s the only clotted cream I ever buy when I want a treat. I’m lucky enough to live near a supermarket that always has it and so I can feel that little connection will Cornwall.
We use Rodda’s clotted cream with our cream teas. It is a local business which is now world renowned and is always lip-smackingly good. Clotted cream is understood to have been invented many years ago when a farmers wife inadvertently left a pot of cream on the stove overnight. When she came down in the morning the cream had thickened and clotted cream has been made ever since.
Amanda’s Future Go-To
Michael kindly said that he was ‘happy for you to mention the Twisted Currant in any of your books in the future.’ You
can be sure that Amanda will be making a return visit to the literary version of the cafe. Thanks to Susan’s creation of the chocolate cream tea, I can see The Twisted Currant becoming a place of pilgrimage for chocolate lovers, as well as gluten-free and dairy-free visitors to Cornwall. Guest houses, hotels and holiday cottages have now re-opened, if you would like to book your stay in one of Britain’s most beautiful areas, and sample the delights of the Twisted Currant for yourself.
Thanks, More? and The Sequel
It remains only for me to thank Michael and Susan for their sharing their experiences and granting me the use here of some choice photos from their Facebook page. (A rich selection of mouth-watering delights. Deliciously browsable!)
I hope that you have enjoyed our behind-the-scenes visit to one of the special places that have inspired locations and experiences in the Amanda Cadabra books. Please do let me know if you would like some more articles like this one.
Meanwhile, Book 7 has begun its flow. The all-important first paragraphs are written, and more is coming into being every day. And every night, when the characters like to chat to each other! The stream is moving, the blossoms, shops and businesses are opening, and the days are lengthening towards mid-summer. It’s all to come.
Happy May!
Holly
Dear Readers,
Three Treats To Come
Today we follow the trail to Denise Fleischer’s ingenious questions that prompted me to reveal … maybe not all … but, well, you’ll see. Denise, through her splendid book review site Gotta Write Network, is kindly hosting a blog tour spotlight of my latest book launched just last month on Kindle and in paperback. This includes an interview, a guest post and an excerpt from the new novel. I’ll let you know when the other two enter stage left.
Behind the Curtain
Back to the Q&Q. If you are curious about the creation of Amanda Cadabra and The Strange Case of Lucy Penlowr, the latest in the Amanda Cadabra series, read on …
Denise: In Book 6 of the British, humorous, cozy paranormal mystery series of Amanda Cadabra, you focus on the strange case of Lucy Penlowr. How are the readers introduced to the case?
Holly: The book begins with a dream that Amanda has while travelling to Cornwall with Detective Inspector Trelawney. She witnesses a fire in a grand house and a murder. Trelawney wonders if it has anything to do with the story of Lucy that they are going there to hear.
Denise: Who is Hogarth and why can’t he stop thinking about a case from 30 years ago where children allegedly began to go missing?
Holly: Retired Chief Inspector Michael Hogarth, of the Devon and Cornwall police, was and is Trelawney’s boss and best friend. He is also Amanda’s honorary uncle. The cold case has unexpectedly personal associations for Hogarth, and links to Amanda and Trelawney. At the end of the previous book, Lucy, from deep in the shadows, tells Amanda that it is time for Hogarth to tell ‘Lucy’s story.’ It may be that Amanda is the key to solving the case.
Denise: What is the history of Bodmin Moor? What’s located in this area?
Holly: Bodmin is a granite moor at the heart of Cornwall, the south-east peninsula of mainland Britain. It is at least 60 million years old, and humans have lived there for at least 10,000 years. Now few people dwell there.
Brown Willy is the highest point in Cornwall, and the moor is rich in Bronze Age monuments, stone circles and ancient burial structures. The landscape is of barren rocks set a lush green of grass, marram, moss and bog. It is perfectly safe during the day but after dark …. It is also known for the legendary Beast of Bodmin Moor, the haunted Jamaica Inn (made famous by Daphne du Maurier), the ghost of a Victorian murdered girl, and witchcraft!
Denise: Is there a reason Hogarth and Trelawney’s father, Kyt, are eager to tell Amanda about the case and about Growan House?
read more …
Meanwhile
I hope that you enjoy the interview, and the book. Back soon with news of the next project. Meanwhile, here is the post-launch trailer which includes some beautiful footage of Bodmin Moor from professional cameraman Paddy Scott, and two talented amateur photographers.
Happy spring!
Holly
PS If you want to start the series now:
Available on Amazon
Paperback and Kindle
Dear Readers,
How We’re Celebrating?
The next stage of the launch of Amanda Cadabra and The Strange Case of Lucy Penlowr has arrived. To celebrate this joyful event of the paperback release, we are having a free book day.
This time new readers can join the series with Amanda Cadabra and The Cellar of Secrets, free to download from Amazon. Or, if you downloaded Book 1 in the free deal weekend a couple weeks ago, this is an opportunity to continue the Amanda Cadabra journey with Book 2 at zero cost. This offer is just for today and tomorrow, 20th and 21st February, so please do get it while it’s hot.
Here, for your entertainment, is a 15-second video to give the new book a send-off.
Next stage?
Surely this is the final stage in the new sequel release? I hear you ask. Well, actually, there’s more. I’ll come back to that in the next letter.
Meanwhile, this is for all you fellow paperback readers. I hope you enjoy the new sequel. If you’d like to let me know how you get on with it, I would love to hear from you. Always.
Happy reading,
Holly
PS If you want to start the series now:
Available on Amazon
Paperback and Kindle
Dear Readers,
This is a just a brief letter as I hope a video paints at least a thousand words, and in just over one minute. Here it is. I made this for you:
The paperback is just a tweak away. More news soon.
Remember that today is just as much about appreciating friends as it is romantic connections. Even if those friends are books.
Happy St Valentine’s Day to you,
Holly
PS If you want to start the series now:
Available on Amazon
Paperback and Kindle
Dear Readers,
Here we are at last! Amanda Cadabra and The Strange Case of Lucy Penlowr is now live. Here for your entertainment is the launch video:
This is just a brief note, but I can share with you that one my dearest beta readers has just submitted the very first review of the book to Amazon. Also, I heard from our illustrator, Daniel, that he is working on the cover image for the paperback version of the book. As soon as possible, I will get that out for those who, like me, prefer the touchy-feely experience.
Book 1, Amanda Cadabra and The Hidey-Hole Truth is free from today until Monday. Something else to celebrate!
Back soon with the launch report, thanks to all of those who made this possible, and what next …
Happy viewing,
Holly
PS If you want to start the series now:
Available on Amazon
Paperback and Kindle
