I have just written the first thousand words of Amanda Cadabra Book 5. This is the right moment to answer the question, what does it feel like to do that? What is the creative process? Did I force myself to sit at a desk and commit to writing a certain number of words in an afternoon? Some great works of fiction have been created using such discipline. However, in my case, this is how it happened ….
Where to start?
It’s been a few weeks since I finished the fourth in the Amanda Cadabra cozy paranormal mysteries series. So after a plot map – a rough one then a tidier one, both in a big sketchbook – the first step was to reconnect with the last book, Amanda Cadabra and The Rise of Sunken Madley. Next, I checked where we’d got to in the story arc, what our characters know, and what has been shared with you, dear readers.
I like to weave the strands of the self-contained story of each book in and out of one another, together with the over-arching plot that runs through the whole series. Consequently, I made notes on the plot sketch of what needs to interspersed.
Researching the Real World
Each book includes settings and details that are new to me. For example, for Book 2, Amanda Cadabra and The Cellar of Secrets, I had to research spies, bombs and air-raids. For Book 3, Amanda Cadabra and The Flawless Plan it was how they celebrated the end of the first world war that Christmas, structural damage, and 1930’s firearms.
For this sequel, I followed my nose in and out of research on Wikipedia and other internet sites. And then I knew. The first chapter suddenly was obvious to me. I had the document open with the first few lines. I pulled it up from under my browser windows, and my fingers began to type. The lines came quickly with no time for spelling or grammar checks. Out it flowed as though I were taking dictation from my own mind.
Soon I am between two worlds: this one and the world of Amanda Cadabra. As I type, I move more and more into that fantasy existence … My eyes are on the screen, my fingers tapping on the keyboard, but before my eyes is … the sitting room at 26 Orchard Row, in the English village of Sunken Madley. I am seated on the chintz sofa of the Cadabra’s house beside Granny – Senara Cadabra. Before me on the coffee table is a cup of tea in a white, delicately floral patterned, Wedgwood china cup. I see Amanda handing Inspector Trelawney a matching dish of shortcake. I can see the plate. I know the design, the gilded edges …. I know how the room smells, how each person smiles, the exact colour of their eyes, the timbre, intonation of each voice … It is as though I hear them speak rather than give them their lines. They give me theirs.
Three hours later, and I’m back. I’m hungry, thirsty, stiff, and the room is stuffy. How do I get back into my body and the real world? How else … with a cup of tea!
And that, for the most part, is how all of every book comes to me. In between, I have to do a great deal of checking and learning. Yet somehow I remain in the fantasy zone as I come and go between fiction and non-fiction. Any fact at all of which I am not certain must be verified. That is part of world-building, or perhaps it is simply what allows me to perceive that other world.
What does it mean?
Some theorise that when an author writes fiction in this way, they are seeing a reality that exists somewhere on some plane or other – an alternative reality, another universe. Others say that we are creating a reality that then somehow, somewhere comes into being.
In my case, all I can say is that it seems real to me when I am immersed in the creative experience. That is what enables me to make it real to you, so that you might have that door at the back of the wardrobe, the way through the looking-glass, the ticket for The Hogwarts Express, down the rabbit hole, the leap into the chalk drawing.
So when I finish a book and load it onto Amazon, what I am really saying is,’ Come with me … let me share with you … let me show you this other place of mystery, magic, people to know, love, relate to, suspect. This cozy place where, ultimately, good will triumph, and at the end of each book, for now at least, all is right with the world.’
Thank you to every one of you who have read or plan to read one or more of the books, even just looked at a cover, come to visit this site, peeped through the keyhole, or encouraged me to keep writing.
Why do I do it? Why do I write? Because I can’t help myself!
Don’t Force It
Can I make what I have described happen? No. I have wait for the wave. Sometimes you just have to sit on the beach and watch the sea, admire the sky, listen to the gulls, tend your surfboard. There is always the clam and mussel digging of marketing, the rockpool, net-and-jam-jar visits of research and, sometimes, it’s just a matter of lying back on the sand.
Yesterday, book reviewer Nicole Pyles kindly published her recent interview with me. If you’d enjoy a little more insight and inspiration to continue with or create some fiction of your own, you’ll find it here:
Next weekend, I’ll have news of the free Kindle days that will be just before Christmas Day to help with your eleventh-hour gifts. Until then,
PS If you want to start the series: