Today sees the unveiling of the new cover, Amanda Cadabra and The Hidey-Hole Truth, first in the (to date) 6-book British humorous cozy paranormal mystery series. The question is,
Why the change?
The series is about to enter a new era. But more that later. As the first book is most likely the first in the series that new readers will see, it needed something special. Rather than re-moulding the scene on the previous cover, I told the story of the book to our illustrator Daniel Becerril Ureña, and left it up to him to let his imagination form his own creative ideas.
Out of 6 sketches that Daniel supplied, this was the scene that we both thought was the strongest.
Daniel has conjured a combination of modern era, magical whimsy and the golden age of the cozy mystery: the 1930s. Research time runs into many hours, following my nose down narrow alleys to obscure websites and broad streets of mainstream sources like Wikipedia. To supply Daniel with reference images, I scoured pages of 1930s covers. The colour palette of the cover echoes that period, even Amanda’s dress neckline is out of a vintage illustration on an authentic dress patterns packet.
The setting is a room in a Tudor house, Sunken Madley Manor. The wardrobe door and the door are from period furniture, and the edge of the tapestry on the right of the cover is drawn from an example using Tudor pictorial and decorative traditions. The Holland cover (sheet for protecting furniture) over the wardrobe adds a ghostly feel.
The light coming between the partly open curtains, suggests we are peeking through them, getting a look at a secret scene, as privileged viewers.
The Emerging Final Version
As Daniel adds each new layer, new aspects and details become apparent that could benefit from tweaking. Daniel patiently applies these and sends back iteration after iteration until it is perfect. Finally, it goes to Tim, my mentor who acts as design consultant and to Kim, our editor.
Then, it’s ready for the partial reveal. Next, it is loaded on Amazon, ready to pass their quality control and be published. At the same time, the full cover reveal is announced here and on Facebook. Usually Twitter and Instagram get a look-in too.
This is a process that can take from weeks to months. From seed to seedling, to sapling to mature tree. It’s organic and well as procedural and takes an artist with an intuitive understanding of the spirit of the series as well as technical expertise. It also takes a good personality fit. Working with Daniel is immensely enjoyable. There’s a high of excitement every time he sends a first sketch or a new iteration. I love seeing his ingenuity in creating scenes and details I would never have imagined. Being able to work so closely with ‘a creative’ is one of the great unexpected perks of being an independent author.
What Else is New?
The map of Book 1, Sunken Madley in Amanda Cadabra and The Hidey-Hole Truth has been updated with the smartened up versions of some of the most important buildings and locations in the village.
Tomorrow Book 1, in its smart new outfit, is being entered for an award. Later this week, I look forward to typing up more midnight notes (still coming) for the new sequel.
Back soon with more news.
Wishing you a happy conclusion to spring,